TINA Design Suite is a powerful yet affordable circuit simulation and PCB design software package for analyzing, designing, and real time testing of analog, digital, VHDL, MCU, and mixed electronic circuits and their PCB layouts. You can also analyze SMPS, RF, communication, and optoelectronic circuits; generate and debug MCU code using the integrated flowchart tool; and test microcontroller applications in a mixed circuit environment. A unique feature of TINA is that you can bring your circuit to life with the optional USB controlled TINALab II and LogiXplorer hardware, which turns your computer into a powerful, multifunction T &M instrument. Electrical engineers will find TINA an easy to use, high performance tool, while educators will welcome its unique features for the training environment. Online access with TINACloud. In additon to the installable versions now you can also edit and run your circuit simulation designs online on PCs, Macs, thin clients, tablets-even on many smart phones, smart TVs and e-book readers using TINACloud without any installation. You can use TINACloud in the office, classroom, at home and while travelling, anywhere in the world that has internet access.

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TINA is a powerful, affordable circuit simulator for analog, digital, MCU and mixed circuit simulation with integrated PCB design, running both offline and online. View tina crack’s professional profile on LinkedIn. LinkedIn is the world's largest business network, helping professionals like tina crack discover inside.

For limited time we are offering 1 year free license of TINACloud with all new licenses and upgrades of TINA 9.3 Learn more about TINACloud at www. This powerful tool works with the design equations of your circuit to ensure that the specified inputs result in the specified output response. The tool offers you a solution engine that you can use to solve repetitively and accurately for various scenarios.

The calculated component values are automatically set in place in the companion TINA schematic and you can check the result by simulation. This new feature is also very useful for semiconductor and other electronics component manufacturers to provide application circuits along with the design procedure. Advanced presentation tools.

Make stand-out reports and presentations of schematic diagrams, annotations, formulas provided by symbolic analysis, Bode plots, Nyquist diagrams, poles and zeros, transient responses, digital waveforms, and other data using linear or logarithmic scales. Customize presentations using TINA 's advanced drawing tools to control text, fonts, axes, line width, color and layout. You can create, edit and print documents directly inside TINA or cut & paste your results into your favorite word processing or DTP package.

DesignSoft TINA Design Suite v9.3 This is the full cracked version of the software. Download, extract, install, enjoy. Inside the archive there is 'crack' folder wich contains everything you need to crack the software. Download link: Analog, Digital, Symbolic, RF, VHDL, MCU and Mixed-Mode Circuit Simulation & PCB Design TINA Design Suite is a powerful yet affordable circuit simulation and PCB design software package for analyzing, designing, and real time testing of analog, digital, VHDL, MCU, and mixed electronic circuits and their PCB layouts. You can also analyze SMPS, RF, communication, and optoelectronic circuits; generate and debug MCU code using the integrated flowchart tool; and test microcontroller applications in a mixed circuit environment. A unique feature of TINA is that you can bring your circuit to life with the optional USB controlled TINALab II and LogiXplorer hardware, which turns your computer into a powerful, multifunction T&M instrument. Electrical engineers will find TINA an easy to use, high performance tool, while educators will welcome its unique features for the training environment.

Online access with TINACloud. In additon to the installable versions now you can also edit and run your circuit simulation designs online on PCs, Macs, thin clients, tablets-even on many smart phones, smart TVs and e-book readers using TINACloud without any installation.

You can use TINACloud in the office, classroom, at home and while travelling, anywhere in the world that has internet access. For limited time we are offering 1 year free license of TINACloud with all new licenses and upgrades of TINA 9.3 Learn more about TINACloud at www.tinacloud.com Super-fast multi-core engine. Every year, electronic circuits become faster and more complex, and therefore require more and more computational power to analyze their operation. To meet this requirement TINA v9 has the ability to utilize the increasingly popular scalable multi-thread CPUs. Computers that incorporate dual or quad core CPUs can deliver up to 20-times faster execution time for TINA's analysis engine compared to previous versions and main competitors. Open from the Web! Now you can open TINA designs, models and libraries as well as Import Spice.CIR and.LIB files directly from the Web.

See our TINA Circuits on Web page where you will find interesting electronic circuit files and links to other websites with circuits and libraries which you can open directly from the web and then simulate with TINA. Easy to use schematic entry.

Enter any circuit within minutes with TINA's easy-to-use schematic editor. Enhance your schematics by adding text and graphics elements such lines, arcs arrows, frames around the schematics and title blocks. Choose components from the large library containing more than 20,000 manufacturer models. You can check schematics for errors with TINA's advanced ERC functions. The schematic editor supports complex hierarchical designs, team design and version control.

Powerful analysis tools. Analyze your circuit through more than 20 different analysis modes or with 10 high tech virtual instruments. Present your results in TINA's sophisticated diagram windows, on virtual instruments, or in the live interactive mode where you can even edit your circuit during operation, develop, run, debug and test VHDL & MCU applications. This powerful tool works with the design equations of your circuit to ensure that the specified inputs result in the specified output response. The tool offers you a solution engine that you can use to solve repetitively and accurately for various scenarios.

The calculated component values are automatically set in place in the companion TINA schematic and you can check the result by simulation. This new feature is also very useful for semiconductor and other electronics component manufacturers to provide application circuits along with the design procedure. Using TINA's built-in Optimization tool unknown circuit parameters can be determined automatically so that the network can produce a predefined target output values, minimum or maximum. Optimization is useful not only in the design of electronic circuits, but also in teaching, to construct examples and problems. It is a very good tool to refine the results provided by a design procedure or tune already working circuits. Integrated PCB design. The new fully integrated layout module of TINA has all the features you need for advanced PCB design, including multilayer PCB's with split power plane layers, powerful autoplacement & autorouting, rip-up and reroute, manual and 'follow-me' trace placement, DRC, forward and back annotation, pin and gate swapping, keep-in and keep-out areas, copper pour, thermal relief, fanout, 3D view of your PCB design from any angle, Gerber file output and much more.

Advanced presentation tools. Make stand-out reports and presentations of schematic diagrams, annotations, formulas provided by symbolic analysis, Bode plots, Nyquist diagrams, poles and zeros, transient responses, digital waveforms, and other data using linear or logarithmic scales. Customize presentations using TINA's advanced drawing tools to control text, fonts, axes, line width, color and layout. You can create, edit and print documents directly inside TINA or cut & paste your results into your favorite word processing or DTP package.

. Website Tina Turner (born Anna Mae Bullock; November 26, 1939) is an -born singer, songwriter, dancer, actress, and author. Born and raised in the, Turner relinquished her American citizenship after obtaining in 2013. She began her career in 1958 as a featured singer with 's, first recording under the name 'Little Ann'. Her introduction to the public as Tina Turner began in 1960 as a member of the. Success followed with a string of notable hits credited to the duo, including ', ' (1966), ' (1971), and ' (1973), a song that she wrote. In her autobiography, (1986), she revealed several instances of severe against her by Ike Turner prior to their 1976 split and subsequent 1978.

Raised a, she encountered faith with in 1971, crediting the spiritual of, which Turner says helped her to endure during difficult times. After her divorce from Ike Turner, she rebuilt her career through live performances. In the 1980s, Turner launched a major comeback with another string of hits, starting in late 1983 with the single ' followed by the 1984 release of her fifth solo album which became a worldwide success. The album contained the song ', which became Turner's biggest hit and won four Grammy Awards including. Her solo success continued throughout the 1980s and 90s with multi-platinum albums including and, and with singles such as ', ', ', ', and ', for the 1995 film of. In 1993, a adapted from her autobiography, was released along with an.

In addition to her musical career, Turner has also garnered success acting in films, including the role of the Acid Queen in the 1975, a starring role alongside in the 1985 action film, and a cameo role in the 1993 film. One of the world's, she has also been referred to as. Her combined album and single sales total approximately 100 million copies worldwide. Turner has also sold more concert tickets than any other solo performer in history. In 2008, Turner returned from semi-retirement to embark on her. Turner's tour became one of the highest selling ticketed shows of 2008–09. She is noted for her energetic stage presence, powerful vocals, and career longevity.

Throughout her career, she has won eleven, including eight competitive awards and three awards. Ranked Turner 63rd on their list of the 100 greatest artists of all time. And 17th on their list of the 100 greatest singers of all time. In 1991, Turner was inducted into the. In January 2018, it was announced that Turner will be one of the recipients of the. Contents.

Early life Turner was born Anna Mae Bullock on November 26, 1939, in, an in. Her parents were Zelma Priscilla ( Currie) and Floyd Richard Bullock. Anna Mae was born at Poindexter Farm on, where her father worked as an overseer of the.

She is of descent, with approximately 33% and 1% Native American ancestry. (The latter was revealed when she appeared on the documentary African American Lives 2, and the host shared the results of Turner's ancestral tests.) Anna Mae had an older sister, Ruby Aillene. As young children, Anna Mae and Aillene were separated when their parents relocated to, to work at a defense facility during World War II. Anna went to stay with her strict, religious paternal grandparents, Alex and Roxanna Bullock, who were deacon and deaconess at the Woodlawn Missionary Baptist Church, which was located on Woodlawn Road off Highway 19.

After the war, the sisters reunited with their parents and moved with them to Knoxville. Two years later, the family returned to Nutbush to live in the Flagg Grove community, where Anna attended Flagg Grove Elementary School from first through eighth grade. In 1889, her great-great uncle had sold the land on which the school was built to the school trustees. As a youngster, Anna Mae sang in the church choir at Nutbush's Spring Hill Baptist Church. When she was 11, her mother ran off without warning, seeking freedom from her abusive relationship with Floyd Bullock.

Zelma relocated to to live with Anna Mae's great-aunt. As a preteen, Anna Mae worked as a for the Henderson family. When Anna Mae was 13, her father married another woman and moved to. Anna Mae and her sister were sent to live with their grandmother Georgeanna in. Anna Mae later stated in her memoir, that she felt her mother had not loved her, and that she ', stating further that her mother had planned to leave her father when pregnant with Anna Mae. 'She was a very young woman who didn't want another kid', Anna Mae wrote.

Her relationship with her mother remained estranged until Bullock's death in 1999. A self-professed tomboy, Anna Mae joined both the squad and the female team at Carver High School in Brownsville, and 'socialized every chance she got'. Her first boyfriend, while she was living in Brownsville, was Harry Taylor, who originally attended a rival school to hers. Taylor relocated to Anna's school to be near her. The relationship ended after Anna Mae learned Harry had married another woman. When Anna Mae was 16, her grandmother died suddenly. After the funeral, Anna Mae went to live with her mother in St.

Louis, where she was reunited with her sister. There, Anna Mae graduated from in 1958. After her graduation, she worked as a at and dreamed of becoming a nurse. Ike & Tina Turner Origins. Turner performing with at, in 1972 Anna and her sister began to frequent nightclubs in the and areas around this time. At Club Manhattan, a nightclub in the East St. Louis area, she first saw and his band, the, perform.

Anna was impressed by the band's music and Ike's talent, claiming the bandleader's music put her 'into a trance.' Anna felt the urge to sing on stage with Ike's band despite the fact that few women had ever sung with him. One night in 1957, 16-year-old Anna was given a microphone by Kings of Rhythm drummer Eugene Washington during an. Upon hearing her sing, Ike asked her if she knew more songs; she was allowed to sing that night, becoming a guest vocalist from then on. Through this period, Ike taught her the points of voice control and performance.

Her first studio recording was in 1958, singing background, under the name 'Little Ann', on the Ike Turner song, 'Box Top', alongside singer Carlson Oliver. In 1960, Ike wrote an R&B song, ', originally for Kings of Rhythm vocalist Art Lassiter. Lassiter failed to show up to the recording studio and Anna eventually was allowed to sing the song after much pleading to Ike. Ike agreed to use her voice as a ', with the intention of erasing her vocals and adding Lassiter's at a later date.

Although some felt that the demo with Anna's voice was 'high pitched' and 'screechy', the song received decent airtime in St. Louis deejay Dave Dixon convinced Ike to send the tape to, president of R&B label,. Upon hearing the song, Murray was impressed with Anna's vocals, later stating that her vocals 'sounded like screaming dirt. It was a funky sound.'

Murray bought the track and paid Ike a $25,000 (around $208,620 as of 2017) advance for recording and publishing rights. Murray also convinced Turner to make Anna 'the star of the show'. It was at this point that Ike Turner renamed Anna Mae Bullock 'Tina' because the name rhymed with the television character. He was inspired by to create her stage persona. Ike trademarked the name 'Tina Turner' as a form of protection so that if Anna left him like his previous lead singers, he could replace her with another singer and have her perform as Tina. Early success 'A Fool in Love' was released in July 1960 and became an immediate hit, peaking at number 2 on the chart and number 27 on the that October. Described the track as 'the to ever creep into the white pop charts since ' gospel-styled ' that previous summer.'

A second pop hit, ' (1961), reached the top 20 and earned the group a nomination for. Notable singles released during the duo's Sue Records period included the R&B hits, ', 'Poor Fool', and 'Tra-La-La-La'. In 1964, Ike & Tina left Sue and signed with, releasing the modest single, 'I Can't Believe What You Say'. The following year, they signed with, a subsidiary of and run by, who had become their manager shortly after they left Sue Records. Between 1964 and 1969, Ike & Tina signed with more than ten labels. While touring to support the record, Ike created his own musical revue, the Ike and Tina Turner Revue, which included the Kings of Rhythm and a girl group that Ike named backing Tina, while he remained in the background, often playing his guitar to the back of Tina.

Wanting to maintain their base and increase finances, Ike Turner put Tina and the entire Revue through a rigorous touring schedule across the United States, gigging 90 days straight in dates around the country. During the days of the, the Ike and Tina Turner Revue built a reputation that a writer for the History of Rock site cited as 'one of the most hottest, most durable, and potentially most explosive of all R&B ensembles' with its show rivaling that of the Show in terms of musical spectacle. The shows, organized by Ike Turner, provided them financial success.

Due to their successful performances, the couple was able to perform in front of diverse crowds in the due to the money they made from performing in Southern clubs. Between 1963 and 1966, the band toured constantly without the presence of a hit single. Tina's own profile was raised after several solo appearances on shows, such as and, while the entire Revue appeared on shows, such as, and, in late 1965, in the. Mainstream success In 1965, caught an Ike & Tina performance in Los Angeles and sought to work with Tina. Working out a deal, Spector gave Ike a $20,000 advance to keep out of the studio to which Ike agreed. With Spector, Tina produced the song ', which was released in 1966 on Spector's Philles label.

Spector considered that record, with Tina's maximum energy over a symphonic sound, to be his best work. It was successful overseas, particularly in the United Kingdom, where it eventually reached number 3 on the, but it failed to go any higher than #88 in the United States. Crushed, Spector never signed another act to Philles. But the impact of the record gave Ike and Tina an opening spot for ' later that fall, which the Revue later extended by performing all over and Australia. Signing with in 1968, the Revue issued the blues-heavy albums, Outta Season and The Hunter. Outta Season produced the Revue's charted cover of 's ' while the latter earned Tina a Grammy nomination for for her rendition of the title track, originally recorded.

The success of the albums led to the Revue headlining at where their shows were attended by a variety of celebrities including, and. Turner performing 1972 In 1969, the Revue's profile in their home country was raised after opening for the Rolling Stones on their.

In 1970, they performed on. The tour's success resulted in the Revue signing with, where they released two albums, Come Together and, released in 1970 and 1971 respectively. Come Together produced the duo's first top 40 single with their cover of 's '. Come Together marked a turning point in their careers in which they switched from their usual R&B repertoire to incorporate more tunes. In early 1971, their cover of 's ' became their biggest hit, reaching number 4 on the Hot 100 and selling over a million copies, winning them a Grammy for. Later in 1971, their live album, What You Hear Is What You Get, taken from a performance at, was their first to be certified gold. In 1972, Ike Turner created the studio, Bolic Sounds, near their home in.

After Liberty was bought by, the duo was assigned to that label, releasing ten albums in a three-year period. The duo's final major hit single, ', was released in 1973, reaching number 22 on the Hot 100, and peaking at number 4 in the UK. In 1974, Tina released her first solo album, winning a Grammy nomination. That year, Tina traveled to London to participate in the filming of the rock musical, in which she played The Acid Queen, a drug addicted prostitute who tries to coax Tommy into sex and illegal drug addiction and sang the song of the same name. Turner's performance was critically acclaimed. Shortly after filming wrapped, Turner appeared with on her TV special in London. Returning to the United States, Turner continued her career with the Revue.

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Following the release of Tommy, another Turner solo album, was released in 1975. Decline of the duo By the mid-1970s, Ike Turner's excessive had gotten out of hand. During this period, Tina adopted the faith and to help her deal with a stressful marriage and career. Due to Ike Turner's drug abuse, some shows were either canceled or postponed. In July 1976, Ike Turner had plans to leave United Artists Records for a five-year, $150,000 deal with. The deal was to be signed on July 6. On July 1, 1976, Ike and Tina were en route from Los Angeles to Dallas where the Revue had a gig at the.

Ike and Tina got into a fight during their ride to the hotel. Shortly after arriving to the hotel, Tina fled from the hotel and later hid at a friend's house. On July 27, Tina sued for divorce on the grounds of irreconcilable differences. Ike claims in his book that Tina initiated the fight by purposely irritating him so that she'd have a reason to break up with him before they were scheduled to sign a new 5-year contract upon their return from Dallas. Tina later credited the Nichiren Buddhist faith and chanting Nam Myoho Renge Kyo with giving her the courage to strike out on her own. However, by walking out on Ike in the middle of a tour, she learned she was legally responsible to tour promoters for the canceled shows. After a year in court, their divorce was made final on March 29, 1978.

In the divorce, she completely parted ways with him, retaining only her stage name and assuming responsibility for the debts incurred by the canceled tour as well as a significant. First solo performances In 1977, with given to her by United Artists executive Richard Stewart, Tina returned onstage, giving a round of shows in in a setting, influenced by the cabaret shows she witnessed while a member of the Ike & Tina Turner Revue. She took her cabaret act to smaller venues in the United States. Turner earned further income by appearing on shows such as, and.

Later in 1977, Turner headlined her first solo concert tour, throughout Australia. In 1978, United Artists released Turner's third solo album, with distribution both in North America and Europe with. That album, along with its follow-up, which included a brief diversion to rhythms, failed to chart. The albums completed her United Artists/EMI contracts and Turner left the labels. Continuing her performing career with her second headlining tour, Wild Lady of Rock 'n' Roll, she continued to be a successful live act even without the premise of a hit record. Following an appearance on 's US TV special, Hollywood Nights, in 1979, Turner sought a contract with Newton-John's manager.

Davies agreed to work with Turner as her manager after seeing her perform at the Venetian Ballroom in the hotel in February 1980. Davies advised Turner to drop her band and remodel her show into a grittier rock'n'roll showcase.

In 1981, Davies booked Tina at in. Following the performance, hired Turner to perform a duet version of his hit, ', on, and later hired Turner to open for him on his U.S.

One show with and, on 19 December 1981, at the, was filmed. Afterwards, Turner opened three shows for. A recorded cover of ' ' for the UK production team featuring, became a hit in European dance clubs in 1982. Following performances with and several short tours in the U.S. And Europe, Turner again performed at the Ritz in December of the year, which resulted in a singles deal with under the insistence of. Private Dancer and Mad Max Beyond Thunderdome. Private Dancer was the beginning of my success in England and basically Europe has been very supportive of my music.

I am not as big as in the United States. I'm as big as Madonna in Europe. I'm as big as, in some places in Europe, as the Rolling Stones. —Turner in 1997, on her European success In November 1983, Tina released her cover of 's ' with Capitol. The record became a hit, reaching several European charts, including a top 10 placement in the.

The song peaked at number 26 on the, becoming Turner's first solo entry into the U.S. It also peaked at the top 10 of the and charts. The success of the song forced Capitol to rethink its contract with Turner, offering the singer a three album deal, demanding an album on short notice, which had Turner staging what magazine later called an 'amazing comeback'. Recorded in two months in London, the album, was released in June 1984. That same month, Capitol issued the album's second single, ', earlier recorded by the rock group in 1984. It reached the top 10 within a month and in September had reached number 1 on the Hot 100 in the U.S. Featuring hit singles, such as ' and ', the album peaked at number 3 on the, selling five million copies alone in the states and selling over twenty million copies worldwide, making it her most successful album.

Turner's comeback culminated in early 1985 when she won four, including Record of the Year for '. In February of that year, she embarked on her supporting the Private Dancer album, where she toured to huge crowds. One show, filmed at 's, was later released on home video. During this time, she also contributed on vocals to the benefit song '. Turner's success continued when she travelled to to star opposite in the 1985 post-apocalyptic film. The movie provided her with her first acting role in ten years—she portrayed the glamorous Aunty Entity, the ruler of Bartertown.

Upon release, critical response to her performance was generally positive, and the film became a global success, making more than $36 million in the United States alone. Turner later received the for her role in the film. She also recorded two songs for the film, ' and '; both became hits, with the latter winning Turner a. In July, Turner performed at alongside. Encouraged by a performance together during Tina's filmed solo concert in, singer released their duet single together, ', later resulting in a Grammy nomination for. Subsequent releases. Turner on tour with special guest, June 17, 1987, in, England Turner followed up Private Dancer with in 1986.

Featuring ', ' and ', the album sold over four million copies worldwide. Prior to the album's release, Turner published her memoirs, which later became a bestseller, and received a star on the. Turner's European, which culminated in March 1988 in, contributed to record-breaking sales and concert attendances. In January 1988, Turner made history alongside when she performed in front of the largest paying audience (approximately 180,000) to see a solo performer in in, earning her a. The success of Turner's two live tours led to the recording of which was released that April. Turner lay low following the end of her Break Every Rule Tour, emerging once again with which included one of Turner's, '.' She later embarked on a to promote the album.

While went gold in the United States, with its singles ' and ' becoming Top 40 hits there. It was hugely successful in, where Turner had personally relocated. In 1991, Ike & Tina Turner were inducted to the. Phil Spector later accepted on their behalf. That same year, the ex-couple signed away their rights to have their lives dramatized in the semi-autobiographical film What's Love Got to Do with It, later released in 1993 and starring as Tina and as Ike, with the actors receiving Best Actress and Best Actor nominations for their portrayals of the former husband-and-wife team. Turner contributed to the soundtrack for What's Love Got to Do with It, re-recording songs from her Revue days and recording several newer songs, including what turned out to be her last Top 10 U.S.

Other than helping Bassett with her wardrobe and teaching her dance steps as well as providing songs for the soundtrack, and appearing as herself at the end of the film, she refused to be involved fully in the film, telling an interviewer, 'Why would I want to see Ike Turner beat me up again? I haven't dwelled on it; it's all in the past where it belongs.' Following the film's and soundtrack's release, Turner embarked on her first in seven years. Following the tour's end, Turner moved to and took a year off from the road at the end of the tour. Turner's handprints at the Rotterdam Walk of Fame on May 26, 1996 Turner returned in 1995 with the composition, ' for the film of.

Its huge success in Europe and modest success in her native United States led Turner to record a new album, releasing the album in 1996. Though the album itself was not as hugely successful in the United States, thanks to a and a much played hosiery commercial, the album went gold in the United States. The album reached platinum success in Europe where Turner had hits with ', ', which briefly charted in the U.S., ', and the sensual duet, '. Following the tour's end in 1997, Turner took another break before re-emerging again in 1999 appearing on the special. In 1998, the duet with Italian musician in ' became a European hit. Before celebrating her 60th birthday, Turner released the dance-infused song, ' and its parent album, the following month in Europe, releasing both the song and the album in North America in early 2000. The success of 'When the Heartache Is Over' and Turner's tour supporting the album once again helped in the album going gold in the U.S.

The became her most successful concert tour to date and became the highest-grossing tour of 2000 according to grossing over $100 million. Later, announced that Turner had sold more concert tickets than any other solo concert performer in music history. Afterwards, Turner announced a semi.

Recent years In 2002, between Brownsville and Nutbush was named 'Tina Turner Highway'. The following year, she recorded the duet 'Great Spirits' with for the film,.

In 2004, Tina made her first professional appearances following her semi-retirement, releasing the compilation album, which produced the single ', and sold more than a million copies in the US. Main article:. In 2008, Turner was listed at the 17th place on Rolling Stone 's list 'The 100 Greatest Singers of All Time'.

Turner is often referred in the media as 'The Queen of Rock and Roll' (eight competitive Grammy Awards, highest grossing female concert performer in history). Turner is a inductee. Three of her recordings, 'River Deep – Mountain High' (1999), 'Proud Mary' (2003), and 'What's Love Got to Do with It' (2012), are in the. Turner has won eight competitive and three honorary achievement., who performed with her on the, praised Turner's live performances, saying: 'I never saw Tina walk through a performance, she always put on a great show, and was gracious and grateful to her audience.' .

When Turner became a recipient of the 2005, her legs were noted specifically by President George W. At age 73, Turner became the oldest person to be featured on the front cover of, surpassing, who covered American Vogue in 2012, aged 62. Turner has her own star on the and the.

References. Bego, Mark. Tina Turner: Break Every Rule. Taylor Trade Publishing. Bronson, Fred (2003). The Billboard Book of Number 1 Hits: The Inside Story Behind Every Number One Single on Billboard's Hot 100 from 1955 to the Present.

Billboard Books. Collis, Jon (2003).

Ike Turner- King of Rhythm. London: The Do Not Press. Turner, Tina (November 1986). Fissinger, Laura (1985).

When used with the network version, WinLoG RT can receive task notifications and exchange data with the StrataExplorer/WinLoG network. Rotary drilling handbook brantley software. WinLoG and WinLoG RT are used to improve and standardize environmental data collection, management, and reporting in an efficient and cost-effective manner. WinLoG RT can be used as an entirely separate and independent program or in can be used in conjunction with the network version of StrataExplorer/WinLoG. This is accomplished by implementing a documented, auditable process for the collection, storage, and reporting of boring and well data.

Ballantine Books. Gates, Henry Louis. Running Press. Gulla, Bob. Hasday, Judy L. Tina Turner: Black Americans of Achievement.

Chelsea House Publications. Koenig, Teresa (1985). Crestwood House. Lyman, Darryl (2005). Great African-American Women. Jonathan David Company, Inc.

Mabery, D.L. Lerner Publishing Group. McKeen, William (2000). Rock & Roll Is Here to Stay: An Anthology. Norton & Company.

Norris, Sharon (September 1, 2000). Haywood County: Tennessee.

Arcadia Publishing. Preston, Kate (1999).

Hodder & Stoughton. Orth, Maureen (May 6, 2004). Kiersh, Ed (1985). Turner, Tina (1986). I, Tina: My Life Story. Warner, Jay (2006).

On This Day in Black Music History. Hal Leonard Corporation. Whitburn, Joel (2004). The Billboard Book of Top 40 Hits: Complete Chart Information About America's Most Popular Songs and Artists, 1955–2003. Wynn, Ron (August 1, 1985). Tina: The Tina Turner Story.

Collier Books. External links Wikimedia Commons has media related to. Wikiquote has quotations related to:. at. at. at. at.

on. on the St. Louis Walk of Fame.